Martina%2BEisenreich_1_by%2BChristoph%2BBombart.jpg

Every story already has its own music.

I simply listen.

I have never believed that music is something we impose on a film.

Every story already has its own music.

Before I write a single note, I listen.

To the story. To the people who tell it.

To the questions they ask.
To what moves them.
To what remains unspoken.

Only then do I write the first note.

2026

Deutscher Musikautor*innenpreis
Martina Eisenreich - Nominee

2025

Deutscher Fernsehpreis
Best Music
Herrhausen – The Banker and the Bomb

BR-Klassik Operettenfrosch
Aschenbrödels Traum (Volksoper Wien)
with Axel Ranisch

2024

Deutscher Filmmusikpreis
Best Original Score
One Trillion Dollars
with Michael Kadelbach

2022

Deutscher Filmmusikpreis
Best Original Score – Nominee
Lost in Fuseta

Oberbayerischer Kulturpreis
Martin Eisenreich

Deutscher Fernsehpreis
Best Music – Double Nominee
Spreewaldkrimi Zeit der Wölfe
Endlich Witwer

2018

Deutscher Filmmusikpreis
Best Original Score
Tatort: Waldlust

Rolf-Hans Müller Preis für Film Music
Film Music Composer
Martina Eisenreich

Preis der Deutschen Schallplattenkritik
German Record Critics' Award
November 1918
with Norbert Schaeffer

Creole
Audience Award der Süddeutschen Zeitung
Lauschgold

Student Academy Awards
Winner – Nevermore (Nimmermeer)
Nominee – Milan

. . .

TOUR

Core COllaboratorS

No music is ever created entirely alone.

Although every score begins with a single idea, bringing it to life is always a shared journey.

Over the years I have had the privilege of working with extraordinary musicians, orchestrators, engineers, programmers, copyists and assistants.

Many of them have accompanied my work for years. Some have become close friends. Others join only for a single production—but every one of them leaves a mark on the music.

This page exists simply to say thank you.